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✦ The Sojourner Project
A Black Studies Mobile Academy initiated by the Practicing Refusal Collective
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- [multimedia]
- Aerial View of Stone’s Throw Landfill, Tallassee Alabama, from Google Earth. [image]
- Aerial view of the National Memorial for Peace and Justice, Alamy Stock Photo [image]
- Ashara Ekundayo, A community altar built on a street corner in downtown Oakland CA, 2020. [image]
- Best, S & Hartman, S. 2005. Fugitive Justice. Representations, Vol. 92, No. 1 (Fall): 1-15. [text]
- Brand, D. 2002. A Map to the Door of No Return: Notes to Belonging. Toronto:Vintage Canada[text]
- C. Lubrin. 2021. ‘Zone 1.’ from Earthway: A Poetry of Crossings[text]
- Campt, T. 2017. Listening to Images. Durham: Duke University Press, pp. 101 - 116. [text]
- Campt, T. 2019. The Visual Frequency of Black Life - Love, Labor, and the Practice of Refusal. Social Text. 140 Vol. 37, No. 3: 25-46. [text]
- Christina Sharpe Proximity [text]
- Deborah A. Thomas, Deanne M. Bell, and Junior “Gabu” Wedderburn, Tivoli Stories / Bearing Witness: Four Days in West Kingston, 2018 (Multi-media installation) [multimedia]
- Deborah A. Thomas, Deanne M. Bell, and Junior “Gabu” Wedderburn, Tivoli Stories / Bearing Witness: Four Days in West Kingston, 2018 (Multi-media installation) [image]
- Dele Adeyemo and the OWORO Collective, BLACK HORIZON, 2019 [film/video]
- Dele Adeyemo, The Cosmogony of (Racial) Capitalism, 2020.[film/video]
- Devaarne Muller, Justice 4 Collins Khoza - Black Lives Matter, Houses of Parliament, Cape Town, South Africa, 2020. [image]
- Eleven Theses on Civility – Social Text [multimedia]
- FAKA - Uyang'khumbula [film/video]
- Gabrielle Goliath, Elegy, 2015 Video & sound installation: (password protected) [film/video]
- Gabrielle Goliath, This song is for..., 2019 (Video & sound installation) (Passcode: GG//This song is for…//SPSA21) [multimedia]
- Jenn Nkiru, Black Star - Rebirth is Necessary, 2017 [film/video]
- Jenn Nkiru, En Vogue, 2014 [film/video]
- Jenn Nkiru, Hub-Tones (Kamasi Washington), 2018 [film/video]
- Kelela, Blue Light, 2017 [film/video]
- Kevin Adonis Browne, ‘Untitled, No.1’ from the series The Issue of Ruin, 2021 [image]
- Macharia, K. 2017. ‘African Pleasure (in 5 Movements)’ [multimedia]
- Macharia, K. 2019. Frottage. New York: New York University Press, pp. 14 - 64 and pp. 172 - 227. [text]
- Morrison, T. 2007. The Bluest Eye. New York: Vintage International, pp. ix - xiii. [text]
- Morrison, T. 2019. ‘Race Matters’. In The Source of Self-Regard: Selected Essays, Speeches, and Meditations. New York: Alfred A. Knopf. [text]
- Mupotsa, D. 2021. breathing grief [text]
- Norah Yarah Rosa, I love to express myself through dance 🖤 (@norah_yarah_rosa) [image]
- Nyong’o, T. 2019. Afro-Fabulations: The Queer Drama of Black Life. New York: New York University Press, pp. 1 - 26. [text]
- Oldschoolpraisebreak (@oldschoolpraisebreak) [multimedia]
- Philip, M. N. 2011. Zong!. Middletown: Wesleyan University Press [multimedia]
- Prosthetic Head, Rhodes no Nose, Wikimedia, 2015. [image]
- Queen Teddy, Dancing Queen (@queenteddy) [film/video]
- Rickey Thompson, MOOOOD (@rickeythompson) [film/video]
- Roosevelt Charles, Let My People Go, Angola Prison Spirituals, 2014 [audio]
- Savannah Shange, One of 40 different mourning meditations installed on the sidewalk for Meditation for Black Lives, 2020. [image]
- Savannah Shange, Pedestrians partake in a walking Meditation for Black Lives, Oakland CA, June 2020. [image]
- Shikeith, #Blackmendream, 2014. [film/video]
- The Cape Party, Cape Party - Free the Cape (@thecapeparty) [image]
- Thomas D.McAvoy, Baptism run by Elder Lightfoot Solomon Michaux, Griffith Stadium, Washington D.C., 1941. [image]
- Torkwase Dyson, Strange Fruit (He/She), 2015 [image]
- Torkwase Dyson. I Am Everything That Will Save Me_Scale II, (Bird and Lava),2021. [image]
- Z.C.C (Zion Christian Church), mphoho. [film/video]
- ‘We’re not a dump’ – poor Alabama towns struggle under the stench of toxic landfills [multimedia]
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